Chromatics of the Mind’s Eye Embedded Fantasy-Color Lines

Foundation: Dialogues with the Master and Philosophical Grounding
Muran Gong’s path has been profoundly shaped by his mentor, the late master artist and philosopher Ran Shi (Cui Qiyuan), professor at the Central Academy of Fine Arts. In persistent inquiry into the “soul of Chinese painting,” he was guided by the master’s principle of “transcendent imagination and wondrous attainment,” which reveals the “Heaven-Earth-Human” cosmology and Yin-Yang philosophy underlying Chinese landscape art. This forms the bedrock of Muran Gong’s exploration. His work transcends mere depiction, striving instead to construct a spiritual field where subject and object merge and energy flows. The resplendent yet serene ink and color in his paintings are the manifestations of this unique philosophical language—torrential yet celestial.

Innovation: Transcending Tradition and Temporal Superimposition
Building upon this firm philosophical foundation, Muran Gong embodies his master’s instruction to “dare to break the rules.” The “Fantasy-Color Freehand” style he founded is, in essence, a “superimposition across the timeline of history.” Its core lies in internalizing the essence of tradition—the brushwork of Huang Binhong, the stone-drum inspired strokes of Wu Changshuo, the dotting techniques of Pan Tianshou—as the bone structure of the painting. Concurrently, he boldly integrates concepts of color and light from Eastern and Western modern art, particularly the scientific understanding of light in Impressionism. Through multi-layered, multi-dimensional superimposition, he “revives” historical ink symbols (such as the solitary ethos of Bada Shanren) within a contemporary haze of color, achieving a creative leap for ink language along the axis of history.